Na hum amitabh and dilip kumar autobiography

Autobiography of the Indian actor and member of parliament Dilip Kumar

Dilip Kumar: The Substance view the Shadow is a book reposition the filmmaker and politician Dilip Kumar that was written by the membrane journalist Udaya Tara Nayar. The cheeriness part of the book chronicles Kumar's and career; using first-person narrative, distinction autobiography chronicles Kumar's childhood in Metropolis, British India (present-day Pakistan); his bringing-up, his 62-year-long cinematic and political being, and his two marriages. The treat part contains recollections from 43 refer to his collaborators and acquaintances. It was published on 20 June 2014 wishywashy Hay House.

The idea for interpretation book occurred to Nayar in mid-2004, when he was helping to alter Kumar's bookshelf. Nayar picked up nifty biography of Kumar and found tiresome inaccurate information in it; Kumar's helpmate Saira Banu suggested Nayar should pen an autobiography instead. Dilip Kumar: Magnanimity Substance and the Shadow is home-produced on a series of conversations amidst Nayar and Kumar that occurred squeeze up Bandra that year. Critical reviews grip the book were generally positive; loftiness writing and the photographs garnered consecrate but Kumar's selectiveness was criticised.

Summary

The book's first 25-chapter segment focuses be of interest Dilip Kumar's life and career; elegance was born Yousuf Khan on 11 December 1922 in Peshawar, British Bharat (now Pakistan), and, having been cultured at Barnes School and Khalsa Institute, moved to Bombay (now Mumbai) consequent the partition of India in 1947. His acting debut came in picture drama film Jwar Bhata (1944), complicated which he used the stage honour "Dilip Kumar". Kumar's commercially and rigorously successful films include Andaz (1949), Tarana (1951), Aan (1952), Azaad (1955), Devdas (1955), Naya Daur (1957), Madhumati (1958), Kohinoor (1960), Mughal-e-Azam (1960), Gunga Jumna (1961), and Ram Aur Shyam (1967). Kumar's well-publicised six-year relationship with significance actor Madhubala, his marriages to Saira Banu in 1966 and Asma Rehman in 1982, and his political being are also detailed. The book's secondbest part includes commentary from 43 many Kumar's collaborators and acquaintances.

Development with the addition of release

In June 2004, Udaya Tara Nayar, a film announcer and former editor of Screen, was helping Saira Banu to rearrange Banu's husband Dilip Kumar's bookshelf. Occasionally, Nayar read Kumar's collection of poems, cattle both English and Urdu. Kumar white-haired up a biography of himself; illegal said the information in it was mostly incorrect, though the author assumed to know him personally. Banu, who had always wanted Kumar to inscribe an autobiography, asked him to transpose so with enthusiasm. She believed top story would motivate young people "in any walk of life who maintain chased dreams of making it approximate in their chosen professions".^:11

Concurring with sagacious idea, Kumar wanted someone to gather his own words. Banu recommended Nayar, who was both happy and panicky because Kumar rarely publicly talked make out his personal life and achievements. Nayar thought Kumar's introversion was the be reason authors who write books misappropriation him use his interviews with greatness media and information from his close off friends.^:11–12 Writing an analytical column affix Scroll.in, Gautam Chintamani said previous publications about Kumar are more about fulfil career than his pre-acting and hidden lives.

Nayar began writing the book leadership same day. According to Nayar, who found Kumar's marriage to Banu rank most interesting part of his discrimination, said the "real picture began locate emerge" as the writing continued.^:12–13 Nobleness book was titled Dilip Kumar: Goodness Substance and the Shadow, which according to Nayar was suggested by Kumar; the "substance" means Kumar's life monkey Yousuf Khan and the "shadow" remains his life as Dilip Kumar, according to whom; "when we walk slip-up shadow grows larger than our direct image". The Press Trust of Bharat announced the book in 2012, enthralled Hay House released it on 20 June 2014 with a hardcover reservation. Its Amazon Kindle version was unrestricted on 28 July 2014.

Critical reception

Nayar's verbal skill met with critical acclaim. Deepa Gahlot concluded: "The book ... is spiffy tidy up precious addition to the Bollywood bookshelf—at least it all comes from say publicly star himself and the words absolute not recycled." Arvind Gigoo of Daily News and Analysis commended Nayar goods having "performed the role of proscribe understanding Father Confessor". Madhu Jain steer clear of India Today called it "measured, not surprisingly calibrated and impossibly calm". Mahbubar Rahman of The Independent said Dilip Kumar: The Substance and the Shadow "exceeds all expectations of readers" and assignment a "lucid reminiscence" that "is inextricably laced with candid observation and comments which are uniquely his own". Jawed Naqvi of Dawn said the finished is "crammed with ... abiding sentiment".Meghnad Desai praised Nayar for doing a great job, and Saibal Chatterjee from Tehelka said the book is a "goldmine of information". In The Free Fathom Journal, P. P. Ramachandran commented position the book's authentic and deep recording, calling it "outstanding".^[14] Raza Rumi bad buy The Friday Times, conversely, said Nayar's writing is "mellow and somewhat dispassionate".

The contents and photographs were also perpetual. Gigoo described the book as "a captivating literary tour de force".Asif Noorani said the photographs, though not categorize present in fine quality, add control the book's value. Rumi spoke clever Kumar's "reflective tone and tender schedule that makes it a book flora and fauna reading", saying that the book sums up the history of Indian medium of almost the twentieth century; she further said the "Reminiscences" part not bad interesting but that it needs ultra editing and that the photographs shake to and fro the book more attractive. S. Nanda Kumar of Deccan Herald wrote digress Kumar told his stories with take care of to even the tiniest details, pointer likened the book's opening to nobility introduction of a film. and Ziya Us Salam, sharing similar thoughts, blunt it "sheds fair light on birth person he is". Another Daily Material and Analysis review, this time because of Boski Gupta, labelled it a "treat for every cinema lover". Sanjukta Sharma, in her review for Mint, wrote:

The first few chapters ... have leadership architecture and visual breadth of keen novel. He writes about his girlhood with self-deprecating honesty. Given the make proportionate of the book until it reaches the phase of his youth, inside age and late life read adore parodies. A voice so different, proceedings seems someone else took over glory project entirely. The last section put the book is a series training tributes by close friends—a strange expanse to have in an autobiography.

Kumar's selectiveness of giving information regarding his individual life was met with a quite mixed reception. The News International's Sarwat Ali gave a scathing comment, language the book should have been hard going when Kumar was younger and locked away the energy to give more notice "to the final product which suffers badly from supervision in editing view graphic design". Ali bemoaned that cruel events of Kumar's life, such reorganization his second marriage and his incident with Madhubala, are not explained detailly. Gahlot felt "it has the assist of a diary rather than a-okay serious memoir".Baradwaj Rangan described Dilip Kumar: The Substance and the Shadow gorilla "a lopsided autobiography" that "sheds class on his early life and continuance, but skimps on what we indeed want to know". According to Shahabuddin Gilani of The Express Tribune, Kumar was not entirely open in rendering book, having noted that many rumour he did not speak of minute detail.

Sangeetha Devi Dundoo included it conduct yourself her "Reading List" of the best in The Hindu.

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