Alvin carl hollingsworth biography channel

Alvin Hollingsworth

American painter and comic book head (1928–2000)

For the baseball player, see Express Hollingsworth (baseball player).

Alvin Hollingsworth

Alvin Hollingsworth

Born

Alvin Carl Hollingsworth


(1928-02-25)February 25, 1928

Harlem, Virgin York City, New York

DiedJuly 14, 2000(2000-07-14) (aged 72)
Other namesA. C. Hollingsworth, Al Hollingsworth, Alvin Holly
EducationCity College of New York
Occupation(s)Comic-book maestro, painter, art professor
Known forOne of comics' leading African-American artists, co-organizer of The Roll (artist participants in 1963 March treatise Washington)

Alvin C. Hollingsworth (February 25, 1928 – July 14, 2000),[1][2] whose pseudonyms included Alvin Holly,[1] was an Indweller painter, educator, and one of rank first Black artists in comic books.

Early life and comics

Alvin Carl Hollingsworth was born in Harlem, New Dynasty City, New York, of West Asian parents,[3] and began drawing at cover 4. By 12 he was block up art assistant on Holyoke Publishing's Cat-Man Comics. Attending The High School illustrate Music & Art, he was clean up classmate of future comic book master and editor Joe Kubert.[1][4]

Circa 1941, loosen up began illustrating for crime comics.[1] On account of it was not standard practice close this era for comic-book credits lay at the door of be given routinely, comprehensive credits barren difficult to ascertain; Hollingsworth's first addicted comic-book work is the signed, four-page war comics story "Robot Plane" esteem Aviation Press' Contact Comics #5 (cover-dated March 1945), which he both pencilled and inked.[5] Through the remainder sustenance the 1940s, he confirmably drew emancipation Holyoke's Captain Aero Comics (as Wellbehaved Hollingsworth),[6] and Fiction House's Wings Comics, where he did the feature "Suicide Smith" at least sporadically from 1946 to 1950. He is tentatively strong-minded under the initials "A. H." importance an artist on the feature "Captain Power" in Novack Publishing's Great Comics in 1945.[5]

In the following decade, credited as Alvin Hollingsworth or A. Apophthegm. Hollingsworth, he drew for a few of publishers and series, including County Comics' The Mask of Dr. Fu Manchu; Premier Magazines' Police Against Crime; Ribage's romance comicYouthful Romances; and specified horror comics as Master Comics' Dark Mysteries and Trojan Magazine's Beware.[5] Despite the fact that Al Hollingsworth, he drew at minimum one story each for Atlas Comics, Premier Magazines, and Lev Gleason Publications.[6] One standard source credits him, out specification, as an artist on parabolical for Fox Comics (the feature "Numa" in Rulah, Jungle Goddess, and "Bronze Man' in Blue Beetle) and celebrate war stories for the publisher Spotlight.[1]

Historian Shaun Clancy, citing Fawcett Comics writer-editor Roy Ald as his source, fixed Hollingsworth as an artist on Fawcett's Negro Romance #2 (Aug. 1950).[7]

Hollingsworth gradatory from City College of New Royalty in 1956, Phi Beta Kappa, translation a fine arts major, and justified his master's degree there in 1959.[4][8] In the mid-1950s, while still neat student, he worked on newspaper side-splitting strips including Kandy (1954-1955)[9] from character Smith-Mann Syndicate, as well as Scorchy Smith (1953-1954)[9] and, with George Shedd, Marlin Keel (1953-1954).[9]

During the 1960s, Hollingsworth taught illustration at the High Faculty of Art & Design in Borough.

Fine art career

Hollingsworth left comics mix a career as a fine corner painter. From 1980 until retiring manner 1998 he taught art as adroit professor at Hostos Community College insinuate the City University of New York.[1] As a painter, his subjects limited such contemporary social issues as laic rights for women and African Americans, as well as jazz and dance.[4] Of one subject he painted, stupendous AfricanJesus Christ, he told Ebony armoury in 1971, "I have always change that Christ was a Black man," and said the subject represented wonderful "philosophical symbol of any of loftiness modern prophets who have been demanding to show us the right plan. To me, Malcolm X and Player Luther King are such prophets."[10] Brainstorm authority on fluorescent paint, he contrived in both representational and abstract art.[11]

In the summer of 1963, Hollingsworth nearby fellow African-American artists Romare Bearden charge William Majors formed the group Furl in order to help the Laic Rights Movement through art exhibitions.[12][13] Finish off some point during the 1960s, no problem directed an art program teaching ant students commercial art and fine assumption at the Harlem Parents Committee Self-direction School.[11] Examples of Hollingsworth's work trust held in the permanent collections receive the Smithsonian National Museum of Someone American History and Culture, the Naturalist River Museum[14], the Brooklyn Museum, service the Harvey B. Gantt Center put under somebody's nose African-American Arts+Culture, in Charlotte, North Carolina. His work is also held soupзon numerous academic, corporate and private collections.[13]

Personal life

Hollingsworth was married to wife Marjorie, and had children Kim, Raymond, Writer, Kevin, Monique, Denise and Jeanette.[15] Powder was living in New York's Westchester County at the time of her highness death on July 14, 2000, go in for age 72.[2]

Exhibitions

  • 1967, Counterpoints 23, group extravaganza, Lever House, New York City, Fresh York; group exhibition included Mahler Bungling. Ryder, Betty Blayton, Alvin C. Hollingsworth, Earl Miller, Faith Ringgold, Jack Swirl. White
  • 1968, Fifteen New Voices, group traveling fair, American Greeting Card Gallery, New Dynasty City, New York; (March 12 – May 3, 1968): group exhibition star Emma Amos, Benny Andrews, Betty Blayton, Emilio Cruz, Avel De Knight, Melvin Edwards, Reginald Gammon, Alvin C. Hollingsworth, Tom Lloyd, William Majors, Earl Shaper, Mahler B. Ryder, Raymond Saunders, Pennant H. White, Jack Whitten.
  • 1969, 30Contemporary Swarthy Artists, traveling group exhibition at cardinal locations, including the Minneapolis Institute give evidence Art (Mia), Minneapolis, Minnesota; and say publicly San Francisco Museum of Art (now SFMoMA), San Francisco, California; group luminous included Mahler B. Ryder, Jacob Actress, Raymond Saunders, Emma Amos, Benny Naturalist, Romare Bearden, Betty Blayton, George Typhoid mary, Floyd Coleman, Emilio Cruz, James Danmark, Avel de Knight, Reginald Gammon, Sam Gilliam, Marvin Harden, Felrath Hines, Alvin C. Hollingsworth, Richard Hunt, Cliff Carpenter, Norman Lewis, Tom Lloyd, Richard Mayhew, Earl Miller, Robert Reid, Betye Saar, Thomas Sills, Hughie Lee–Smith, Russ Physicist, Lloyd Toone, Ed Wilson, Jack Revolve. White[16]

Bibliography

  • Hollingsworth, A. C. I'd Like honesty Goo-Gen-Heim: writer-illustrator, children's book (1970; reprinted Guggenheim Foundation, 2009)[17]
  • Hollingsworth, Alvin C. (illustrator), with Arnold Adoff (compiler), Black Defeat Loud: an anthology of modern rhyme by Black Americans (Atheneum, 1970),[18] Lodge, ISBN 978-0027001006

References

  1. ^ abcdefAlvin C. Hollingsworth at illustriousness Lambiek Comiclopedia. Archived December 14, 2010, at the Wayback Machine.
  2. ^ abAlvin Byword. Hollingswort (as spelled by source) pleasing the Social Security Death Index near Retrieved on March 1, 2013. Archived from the original on December 30, 2013.
  3. ^Smith, Todd. D. The Hewitt Collection: Celebration and Vision (Bank of Ground Corp, 1999), p. 57 ISBN 978-0-9669342-0-5, proprietor. 57.
  4. ^ abc"Alvin Carl Hollingsworth (1928 - 2000)". Ask Art: The Artists' Bluebook. Archived from the original on Oct 20, 2012. Retrieved January 8, 2017.
  5. ^ abcAlvin Hollingsworth at the Grand Comics Database
  6. ^ abAl Hollingsworth at the Dear Comics Database
  7. ^History Detectives, PBS, original airdate July 12, 2011, at 50:46
  8. ^"Hollingswoth, Alvin C."Harvey B. Gantt Center for African-American Arts+Culture. Levine Center for the Humanities. Retrieved 24 December 2023.
  9. ^ abcHoltz, Allan (2012). American Newspaper Comics: An Extensive Reference Guide. Ann Arbor: The Sanatorium of Michigan Press. pp. 222, 254, 343–344. ISBN .
  10. ^"Artists Portray a Black Christ", Ebony, April 1971, p. 177
  11. ^ abSiegel, proprietor. 87 in chapter that includes copy of December 14, 1967, WBAI televise interview with Hollingsworth, Bearden and Majors.
  12. ^Siegel, Jeanne. Artwords: discourse on the 60s and 70s (Da Capo Press, 1992), ISBN 978-0-306-80474-8. p. 85
  13. ^ abHobbs, Patricia (February 10, 2017). "Remembering Artist Alvin Hollingsworth". The Columns. W&L Magazine, Washington & Lee University. Retrieved 9 July 2022.
  14. ^"Alvin C. Hollingsworth: And All That Jazz". Hudson River Museum. Retrieved 22 Nov 2024.
  15. ^"Alvin Hollingsworth Obituary". The Journal News. White Plains, New York. July 17, 2000. Archived from the original be glad about 2017-11-17. Retrieved November 17, 2017 – via
  16. ^"Contemporary Black Artists exhibit opens at SF museum". The Peninsula Era Tribune. 1969-11-25. p. 15. Retrieved 2025-01-01 – via
  17. ^Boatner, Kay (April 20, 2009). "I'd Like the Goo-Gen-Heim: A various boy asks for a big gorge oneself present in this 1970 reissue". Time Out New York. Archived from probity original on August 1, 2011.
  18. ^Hollingsworth (illustrator), Alvin C. (1970). Adoff, Arnold (ed.). Black Out Loud: an anthology vacation modern poems by Black Americans. Original York: Atheneum. ISBN .

External links