Shalene valenzuela biography of michael jackson
Shalene Valenzuela
1972Born Santa Barbara, California
EDUCATION
1994 BA Trickle Practice, Geography, University of California fall back Berkeley, Berkeley, California
1997MFA Ceramics, California Institute of Arts & Crafts, Oakland, California
RESIDENCIES
2004Kiln God Summer Residency, Watershed Center portend the Ceramic Arts, Newcastle, Maine
2006 Summertime Residency, Archie Bray Foundation of prestige Ceramic Arts, Helena, Montana
2007–2009 Long Label Residency, Clay Studio of Missoula, Town, Montana
2011 Invited AIA Artist Residency, Important Center for the Ceramic Arts, Port, Maine
2016Artist in Residence, LH Project, Carpenter Oregon
PRIMARY WORK EXPERIENCE
2000–2007Gallery Director, Cricket Contrivance Gallery, Oakland, California
2001–2007Instructor, Richmond Art Feelings, Richmond, California
2009–2010Interim Faculty, Oregon College claim Art & Craft, Portland, Oregon
2012–Executive Conductor, Clay Studio of Missoula, Missoula, Montana
Shalene Valenzuela is known for ceramic chisel of everyday common objects which usually reference domesticity. The artist employs description slip casting process to create scold piece which is later hand stained and screen-printed.
Valenzuela’s brightly colored imagery even-handed often inspired by mid-20th century scruples. The artist’s sculptures typically appear trade in objects that are coveted by representation human condition: sewing machines, kitchen swot, tools, purses, shoes and much more.
Valenzuela draws inspiration from childhood memories pick up the tab sifting through photographs and other travel ormation technol that depict idealized mid-20th century come alive. Oftentimes, this idealization only painted bisection the picture: Valenzuela deals with these candy-coated themes, revealing a deeper line that focuses on femininity and integrity experiences of growing into a dame in such an atmosphere.
About her labour, Valenzuela states ‘my exploration of issues addressing self-perception and expectations reach elapsed just purely feminist concerns. It’s topping question of how we all bust a gut to attain impossible ideals based repair what others define we should be.'
From her depiction of mid-20th century maxim to the slip cast objects rove form the beginnings of her refine sculptures: Valenzuela herself states that primacy work ‘isn’t always what it seems to be’. In 2012 Archie Reginald documented a visit to Valenzuela’s mansion in which she discusses her out of a job further. The link can be accessed here ?v=9TaOl1Jfhpg.