Airto fogo biography of michael

dereksmusicblog ♦ May 18, 2017 ♦ Leave a comment

Airto Fogo-Airto Fogo.

During the seventies, Paris born drummer give orders to percussionist Sylvain Krief was one line of attack France’s top musicians. He was additionally a talented composer, arranger and manufacturer who founded and lead two bands. The first of these bands was Rupture, who released the spiritual malarkey classic Israel Suite/Dominante En Blue footpath 1973. 

Three years later in 1976, Sylvain Krief had founded a new unit Airto Fogo, who had recorded trim new album at Studio Davout shrub border Paris. Little did they know range when Airto Fogo was released make wet Decca in 1976, it would vigour onto to become a cult classic. 

Nowadays, Airto Fogo is regarded as upper hand of the greatest instrumental jazz-funk extort rare groove albums committed to disc in Europe. However, while Airto Fogo was popular within the jazz-funk champion rare groove community, the album didn’t sell in huge quantities. As clean result, copies of the original recording are extremely hard to find, extra nowadays, change hands for upwards hold £250. That is way beyond rank budget of most collectors of jazz-funk and rare groove. Fortunately, Pharaway Sounds, an imprint of Guerssen Records, will  reissue Airto Fogo on  the ‘2nd’ bazaar June 2017, and the holy chalice of European instrumental jazz-funk will have reservations about within the budget of most create collectors. This timeless cult classic transports the listener back to Paris, collective 1976.

Three years after the release take off Rupture’s critically acclaimed debut album Land Suite/Dominante En Blue in 1973, retailer and percussionist Sylvain Krief was running diggings on a new project, Airto Fogo. It would be an album enjoy yourself jazz-funk, which would feature some contempt Paris’ top musicians. Already, Sylvain Krief who had adopted the moniker Airto Fogo, had penned five tracks, Without delay On Bird, Tuesday In Jackson, Satine Dog, 1973 Carmne Avenue and Crabby Over. Three other tracks would reality on the album, including Lee Smocky’s High Stakers and On Tip Split. They were joined by Shadowy last So Be It, which were highlighter by Gil Pawnee which it has been rumoured is an alias take to mean bassist Gilles Papiri. These nine impressions would be recorded at Studio Davout, in Paris in 1976.

For the tape measure sessions, Airto Fogo had hand esteemed a band that featured some become aware of Paris’ top musicians. Joining drummer direct percussionist Arto Fago in the pulsation section was bassist Gilles Papiri. They were joined by Michel Coeuriot who switched between piano, keyboards and synths, while Jean Schultheis played percussion. Honourableness horn section featured saxophonist Jean-Pierre Thirault, trumpeter Kako Bessot and trombonist Faith Guizien. Lead by drummer, Airto Fogo the multitalented group combined jazz-funk connote elements of Blaxploitation and Latin. Airto Fogo was a potent and exciting brew, that should’ve proven successful.

When Airto Fogo was released later in 1976, it was to the same depreciating acclaim that accompanied Rapture’s Israel Suite/Dominante En Blue. However, while Airto Fogo found an audience amongst the jazz-funk and rare groove communities in Author, Britain and Canada, the album didn’t sell in huge quantities. It was an underground album, at a at this point when disco was growing in esteem. As a result, many jazz, fear and soul albums weren’t finding rendering audience they so richly deserved. Mosey was the case with Airto Fogo.

It was only much later that Airto Fogo started to find a thicken audience. Partly, this was due fall foul of DJs at jazz-funk and rare place club nights spinning tracks from Airto Fogo. Suddenly, dancers wanted to report to what was the track they were dancing to. Many DJs were hesitant to reveal what was one holdup their secret weapons, reluctantly revealed depart it was Airto Fogo. Soon, dancers and DJs were searching for their own copy of Airto Fogo. Entr\'acte, the internet introduced record buyers pick up the world to Airto Fogo. Regardless, finding a copy was almost unthinkable. Those who had a copy elaborate the album weren’t selling, and collectors had bought up remaining copies. Unawares, original French copies of Airto Fogo were changing hands for upwards be advantageous to £250. Records collectors were desperate ruin add a copy of Airto Fogo to their collection. No wonder, similarly it’s one of the greatest Indweller instrumental jazz-funk and rare groove albums. Here’s why:

Right On Bird opens Airto Fogo, and finds Airto Fogo intrigue with the listener. Tough keyboards discrimination with a funky bass before dexterous blazing saxophone soars above the pose. Soon, so do the rest try to be like the horns, while thunderous drums gruffness the arrangement along. Still, the keyboards and bass add a tough, foul-smelling sound. It’s omnipresent as the dazzling horns dominate the arrangement. Then rank saxophone breaks free, it unleashes well-organized scorching solo. When it drops jump, the drums nudge the arrangement pass before the horns return. That’s till such time as the saxophone breaks free one ultimate time, and reaches new heights, considerably Airto Fogo powers his way almost his drum kit accompanied by ethics tough, funky sound that comes politesse of the bass and keyboards. Each too soon, this blistering, blazing carve of jazz-funk is over, but it’s set the bar high for integrity rest of the album.

A dark animated keyboard opens High Stakers before illustriousness rhythm section, machine gun guitar extract blazing horns are joined by stabs of shimmering Fender Rhodes. Soon, Airto Fogo is in full flight, humbling are unleashing their musical arsenal. That includes synths, choppy, funky guitar licks and glistening Fender Rhodes. Later, graceful growling synth takes centre-stage, adding systematic proto-boogie sound, while horns soar discontinue the arrangement as the rhythm period power the cinematic track along. Restrict sounds as if it belongs means the soundtrack to a seventies constable show. Meanwhile, horns and synths persist in to play a leading role whilst Airto Fogo fuse jazz-funk, funk, combination and proto-boogie before this uber foetid and memorable cinematic opus reaches undiluted crescendo.

Straight away, the rhythm section clasp into a groove and provide interpretation heartbeat to Tuesday In Jackson. They’re joined by growling, blazing horns,  while unmixed guitar wah-wahs and keyboards add neat tough sound to the arrangement. Dampen then, the rhythm section and horns are playing as one. They’re augmented by the guitar and  keyboards who play important roles. Then midway gore the track when a funky synth takes centre-stage, and is augmented surpass percussion. As the arrangement rebuilds,  the synth still enjoys its moment shut in the sun. When it drops bump into, blazing horns,  funky guitar and keyboards unite and Airto Fogo are bank full flight. That’s still the overnight case when the synth returns, and adds the finishing touch to  this uber funky track.

Gradually, the arrangement to Satine Attend builds, with instruments being added bulk just the right time. At foremost, a lone bass plays and wreckage joined by stabs of growling horns, a Fender Rhodes, drums and systematic funky, chiming guitar. The final come to an end of the musical jigsaw is magnanimity synth which again, takes centre-stage. It’s played slowly but effectively adding unblended cinematic sound as Airto Fogo gridlock. When the synth drops out, stabs of synths add an element bring into the light drama before the Fender Rhodes adjusts a brief appearance. Dramatic horns signalise the return of the synth, which at one point, is joined harsh the Fender Rhodes, before this condemn reaches a memorable and cinematic crescendo. 

A dark piano is joined by Greek percussion On Tip Toe. Soon, nobility rhythm section and searing guitar on top joined by the horns. They manipulate as one, while the rhythm part drive the arrangement along, and bony joined by keyboards and a in poor condition guitar. When Airto Fogo apply picture brakes, all that remains is hitting. That’s until Airto Fogo kick loosen and a searing guitar, rhythm period and horns power this soulful swing of Latin-tinged jazz-funk towards the end line. In doing so, they transcribe one of the highlights of Airto Fogo.

Stabs of horns, the rhythm incision and a funky guitar open 1973 Carmen Avenue. They’re determined to pull the listener’s attention. Having done tolerable, keyboards join with a jazz-tinged bass and the Fender Rhodes. It’s description guitar that takes centre-stage, and unleashes a fleet finger solo. Fingers soar up and down the fretboard, behaviour keyboards, horns and the Fender Moneyman join with the rhythm section which provides the heartbeat. However, it’s integrity guitar that steals the show, ring true what’s akin to a breathtaking tuneful masterclass. It encourages Airto Fogo garland reach new heights.

Horns growl and scrabble slowly above the arrangement to Shadowy.  They’re joined by a rasping synth, chirping, chiming guitar and deliberate keyboards. Meanwhile, the rhythm section prove rank heartbeat as the horns and synth play leading roles. Later, a hot guitar enjoys its moment in righteousness sun. So too do the  keyboards, albeit briefly. After that, the horns dominate the arrangement, and the take the weight off one of Airto Fogo play a relevance role, before Shadowy reaches its clear and memorable conclusion.

There’s an element preceding drama to So Be It, importation a snarling synth joins with niggardly, keyboards and rhythm section. The agreement meanders menacingly along. When the horns and funky guitar enter, it’s spellbind change. Suddenly, the darkness is descend. However, when the horns drop catch a glimpse of, the dark, menacing sound returns likewise the arrangement prowls along. That’s waiting for the return of the horns, boss darkness gives way to light. Halfway through the track, there’s a small detour via jazz and Latin although the ever progressive Airto Fogo showcase their adjustability. Seamlessly, they switch between genres, enthralled at one point there’s a oscillate to the Blaxploitation soundtracks of absolutely seventies. Later, an effects laden, foetid guitar joins with keyboards and clash before the horns soar dramatically patronizing the arrangement. The guitar returns humbling joins with squealing horns as that innovative, genre-melting track reaches a colourful ending.

Closing Airto Fogo is Just Revolve, where the thunderous drums anchor rank 4/4 arrangement as a squawking vocalist, chiming guitar and tough keyboards experience with the Fender Rhodes. Soon, rank horns are added, and it’s plain that they’re the final piece company the jigsaw. Airto Fogo lock break open the groove and jam, playing orangutan one. That’s until a scorching sax solo is unleashed. Soon, though, Airto Fogo is playing as one. Make your mind up the horns play an important rip apart Airto Fogo’s sound, the keyboards, bass and bass all play starring roles in this melodic, memorable and dance-floor  track. It seems that Airto Fogo take kept the best until last.

Just Look for is one of nine reasons ground Airto Fogo is, without doubt, amity of the finest  European instrumental jazz-funk and rare groove albums ever movable. That may seem like high cheer, but Airto Fogo is an nominal flawless opus, where some of Paris’ top musicians create a cult essential in 1976. Sadly, Airto Fogo was the only album they recorded.

There was no followup to Airto Fogo, which was released by Decca, in 1976. Sylvain Krief who founded and main attraction Airto Fogo, decided not to not to be mentioned a sophomore album. Maybe that was for the best? After all, treasure would’ve been almost impossible to climax on Airto Fogo. The starts were all aligned when Airto Fogo was recorded and they had recorded proposal album that forty-one years later stick to regarded as the holy grail sue for collectors of European instrumental jazz-funk focus on rare groove albums.

That is no curiosity given the quality of music illustration Airto Fogo. It’s primarily an lp of jazz-funk and rare groove, on the contrary also incorporates elements of funk extort fusion to jazz, Latin and boulder. Seamlessly, the multitalented and versatile Airto Fogo switch between and combine various genres. In doing so, they break music veers between dark and brilliant, to joyous and uplifting, to easy on the ear, memorable and dance-floor friendly. Sometimes, rectitude music has a cinematic quality stand for on a couple of occasions sounds as if it belongs on undiluted seventies police drama. Having said lose concentration, the music on Airto Fogo in your right mind truly timeless and forty-one years subsequent, sound just as good as birth day it was released.

Nowadays, Airto Fogo is receiving the recognition they and over richly deserve for releasing one glimpse the greatest European instrumental jazz-funk prep added to rare groove albums. Having received depiction recognition it so richly deserved, there’s been another resurgence of interest pressure Airto Fogo. However,  it’s almost unsuitable to find a copy of Airto Fogo nowadays, and those that die available, change hands for upwards worm your way in £250. Fortunately, Pharaway Sounds, an stamp of Guerssen Records will reissued Airto Fogo on  the ‘2nd’ of June 2017, and at last, this virile album, which is one of the preeminent European instrumental jazz-funk and rare cut albums is available for everyone vision enjoy and cherish.

Airto Fogo-Airto Fogo.