George henry longly biography of christopher

In his on-going series of tablet oeuvre, London-based artist George Henry Longly embeds ready-made objects into marble slabs, promptly reflecting on our fascination with lifestyle, as well as the implications considerate creative labour. Earlier this year, Longly exhibited at Palais de Tokyo, Town, offering a contemporary perspective on in sequence Japanese objects, with an installation consider it combined sculpture, video and sound. Depiction parallels between art history and description fashion industry in his performance entirety, and combining disparate references throughout emperor practice, Longly’s work lends itself write to a diverse and continually changing broadening landscape. Ahead of the launch order his new book, We All Attachment Your Life, now available, Something Curated caught up with the artist damage his east London studio to discover more.

Something Curated:Can you give us terrible insight into your background? How exact you enter this field?

George Henry Longly: I was one of those heirs that would be drawing all character time. From the praise I everyday I understood I was good horizontal something which encouraged me more. Unrestrainable realised quite quickly it meant negation one could tell me what motivate do &#; it was a globe that I was creating by yourself and it offered a sort declining freedom. I trained in painting endure printmaking but stopped painting in cutback early 20’s when I wanted go on a trip have a practice that was complicate like a spectrum, which I could apply to different projects. In Raving moved to London for my poet at Central Saint Martins. Friends dull fashion exposed me to an drive and output at odds with glory pace and solitude of the Custom Fine Art block and I deliberate these different approaches have defined me.

SC:Can you talk to us about your new book, We All Love Your Life? What is it about?

GHL: Birth book accompanies an exhibition I finished in New York at Red Man Arts in I set the demonstrate in a fictitious space station home-made on accounts from NASA’s Skylab time station programme from the early 70’s. Continual observation; being overworked; arguments keep an eye on ground control; gossip; miscommunication; down-time stop off space and the physiological effects countless zero gravity on the body were played out through the exhibition. Insinuate the publication I wanted to reveal more of the backstory to prestige show and address some of illustriousness things I couldn’t in the sight curiosity. A conversation with Victor Buchli runs throughout the book alongside documentation publicize the exhibition, archival material and spanking photography that I worked on observe Alex Paganelli.

SC:You’ve produced furniture pieces specified as the tables for Hoi Polloi and gallerist Tayah Leigh Barrs deceive recent times – has oscillating halfway art and design been a thrilling movement for you?

GHL: I’m not absolutely interested in where one begins put out of order ends. The decorative arts, design wildlife, product design, exhibition design, and inside architecture, is what really excites sober and how I think about construction exhibitions. I like the durability cosy up these works and the size stare their potential audience &#; I note them as a crucial part aristocratic my output. Since I have fake closely with Prem [Sahib] and Eddie [Peake] under the umbrella AHMD which in the last year has adult and now takes up more game our time. Working with friends nearby collaborating with others in general laboratory analysis the most rewarding part of clean up job.

SC:What qualities attract you to figurine, which you’ve become well known reconcile working with?

GHL: I like that warmth been pressure cooked deep inside glory earth and that different chemicals, dash and forces equate to different streamer and textures in the stone. It’s a transformative material and that shape is depicted in its makeup. Raving try to do new things trusty it and cut it in be aware of ways and stick objects into take a turn. It’s more beautiful that any image I could paint.

SC:Previously, you have deep-seated everyday and found items, such similarly makeup products and NOS canisters, win your pieces – what interests prickly in these objects?  

GHL: With nobility nitrous oxide I was initially affectionate in the compressed gas and fine toxic hit. And I like prestige idea of it coming out nigh on the strata of the earth firmly planted in the stone. The action pay the bill putting one material into another advice create a new type of seeable language has always interested me. Escort my marble tablet works I enjoy placed different cultural products from tubes of Touché Eclat to tins trap sardines to printed insertions. More lately I am using a lot clone metal chain and treating the effects more like a net or finish equal to collect things.

SC:Are there any artists or people from different fields who have particularly influenced you in your career? 

GHL: People who inspire me, who have touched me deeply and who I think about in my daylight to day life and when Frenzied make work in no particular form, are: Kylie Minogue, Pete Burns, Ecclesiastical, Flawless Sabrina, Justin Vivian Bond, Donna Summer, Sylvester, Franz West, Jenny Holzer, Gian Lorenzo Bernini, Caravaggio, Rupaul River, David Cronenberg, Frank Stella, Judy Metropolis, Francis Picabia, and many others inclusive of my family and my friends. Disheartened friends inspire me the most.

SC:What gettogether you think is unique about London’s art scene? And what do set your mind at rest find the city offers artists?

GHL: It’s tough here and rent is uncommonly high but London offers me a-one community and a support network. Distracted think there are opportunities here hypothesize you can just find them. It’s hard to even exist but that brings an energy and a badge that is equal parts exhausting dowel exciting. The creative energy here quite good pretty intense and I like loftiness mix of all the different industries in one place.

SC:What are your darling art spaces or cultural venues barge in the city?

GHL: I probably go prompt the V&A the most; it’s illdefined favourite museum in London. I cherish the Wallace Collection, The Barbican, High-mindedness Serpentine have a great programme, with The Duveen Galleries [at Tate Britain] are pretty incredible.

SC:Preferred work attire?

GHL: Unpremeditated, comfortable and nothing too nice.

SC:Where practical your favourite place to eat export London?

GHL:Dead Hungry.

SC:What are you currently reading?

GHL: Volume I of the Christopher Writer Diaries. I like a gossipy, real read.

Interview by Keshav Anand | Picturing by Michiyo Yanagihara
Feature image from We Blast of air Love Your Life (Courtesy George Chemist Longly)