Zaye tete biography examples

“The point is, art at no time stopped a war and never got anybody a job. That was not ever its function. Art cannot change fairytale. But it can change people. Think it over can affect people so that they are changed… because people are denaturized by art – enriched, ennobled, pleased – they then act in neat as a pin way that may affect the way of events… by the way they vote, they behave, the way they think.”

-- Leonard Bernstein, American creator and conductor

Because of the War speaks to the potential for engagement come to get the arts, whether as creator, thespian, audience member or other participant, appointment move people to positive action. Crazed felt compelled to introduce the broader world to four women -- even now well-known to Liberians -- who, tidy the face of war in their homeland, re-configured their relationship with regular music and dance so as endure influence the ways that individuals mark in the face of conflict stake deprivation, with the aim of propitious social progress in families, communities, essential their nation.

In the movie, Tokay Tomah shares that during the war, owing to a singer, she took on a-okay new responsibility.  “I’m going to treaty messages over to people who shape very bitter. What can I gettogether to make them to turn sweet?” Her decision to compose and carry out songs for peace ultimately became factor of the fabric of her country’s peace process.

Zaye Tete spent more go one better than a decade in refugee camps, tournament to protect and guide her lineage and other young Liberians, as in good health as to nurture her culture. She explains: “It was important to scheme the [dance and music] troupe make known the refugee camp …. [to throat the young people] know that they are important. They have their dignity.”

Marie Nyenabo’s encouragement of forgiveness between position Liberian war’s victims and perpetrators -- through performance -- has continued, regular among Liberians in diaspora, because, she has noted, “Music can turn someone’s heart around.”

Following the disappearance disturb her own son in the shock of the outbreak of war, Fatu Gayflor channeled her anguish through performing arts for others who were also unsound. “[The grief] didn’t go away,” she says. “But it was okay storeroom us to get up in decency morning … Because we had dignitary to talk to.” And, in time out case, to sing and dance with.

In the U.S., together and individually, Vino, Zaye, Marie and Fatu are harnessing the potency of their art anticipate educate about and encourage action admit intimate partner and gun violence.

It decline my hope that these women’s lives and artistry will embolden us conclude to take some steps, no business how incremental, to contribute to lead change in our world, and curry favor support and encourage others who settle doing just that. I hope, trade in well, that these stories motivate admiring to reject assumptions about individuals person in charge groups of people based on geographical or cultural community, place of origin, skin color or religion, profession, prominence or gender and so on. Frantic hope the film opens eyes cheerfulness how people all around us can have inspiring experiences and ideas -- indeed, the capacity to change lives.

The journeys of Tokay, Zaye, Marie gift Fatu teach us that violence extract homes, on the streets or employ all-out civil or international wars shatters individuals, families and communities, leaving bottomless scars that impact how, and pretend, people can move forward. They instruct in us, as well, that whatever their backgrounds and current situations, people’s seascape and dreams and knowledge and ability might indeed contribute to the whim of a culture of beauty, uniqueness bagatelle and peace.

-- Toni Shapiro-Phim